Guillaume Apollinaire

Guillaume Apollinaire

Guillaume Apollinaire was a highly influential French poet, playwright, short story writer, novelist, and art critic. He is considered one of the most important figures of early 20th-century European literature, particularly associated with the Symbolist movement and the development of Surrealism. Apollinaire is credited with coining the term 'Surrealism' and is renowned for his innovative use of language, experimental typography, and exploration of modern themes. His poetry often blends lyricism with everyday experiences, reflecting the vibrant, often chaotic, spirit of his time.

1880-08-26 Roma, Itália
1918-11-09 Paris, França
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Some Poems

Palace

Palace


In deepest dream towards Rosemonde's palace
My barefoot brain inclined for the evening
Like a naked king the walls are waking
Beaten flesh and fresh-cut roses

You can see my thoughts immersed in roses
Smiling at the concert of the toads
They are in the mood for cypress bedposts
The sun is a broken mirror of the rose

What badly wounded bowman opened
Stigmata of palms on the windowpane
At the white lamb's love-feast I have tasted
Resins that bitter the Cyprian wine

On the jagged lap of the lascivious king
In the May-time of her age and finest frock
Mysterious Madame Rosemonde rolls
Her little round eyes like a Hun

Lady of my thoughts your pearly asshole
Is unrivalled by anything Oriental
For whom are you waiting
Deepest dreams en route to the Orient
Are my loveliest neighbors

Knock knock Come into the forecourt night is coming
In shadow the night-light is toasted tinsel
Hang your heads by the hair on the hat-rack
The evening sky is aglimmer with pins

We entered the dining room our noses
Caught a whiff of grease and mucus
Of twenty soup bowls three were urine
The king ate two poached eggs in bouillon

And then the scullions brought in the meat dishes
A standing roast of thoughts deceased in my brain
My lovely still-born dreams in slices still bloody
And gamy little meatballs of memory

Dead for millennia now these thoughts
Had a flavorless taste of frozen mammoth
Bones or visionaries danced out of ossuaries
The dance of death in the folds of my brain

And all those meats pronounced revelations
But Holy Christ!
A famished belly has no hearing

The guests continued their best mastications

Ah Holy Christ! cried out the rib-eyes


The huge pâtes the marrow and hot-pots
Tongues of fire o where is the pentecost
Of my thoughts for all places nations and times

The Bestiary: or Orpheus’s Procession

The Bestiary: or Orpheus’s Procession

(Le Bestiaire ou Cortège d’Orphée)

Orpheus

Admire the vital power
And nobility of line:
It’s the voice that the light made us understand here
That Hermes Trismegistus writes of in Pimander.


The Tortoise


From magic Thrace, O delerium!
My sure fingers sound the strings.
The creatures pass to the sounds
Of my tortoise, and the songs I sing.


The Horse


My harsh dreams knew the riding of you
My gold-charioted fate will be your lovely car
That for reins will hold tight to frenzy,
My verses, the patterns of all poetry.


The Tibetan Goat


The fleece of this goat and even
That gold one which cost such pain
To Jason’s not worth a sou towards
The tresses with which I’m taken.


The Serpent


You set yourself against beauty.
And how many women have been
victims of your cruelty!
Eve, Eurydice, Cleopatra:
I know three or four more after.


The Cat


I wish there to be in my house:
A woman possessing reason,
A cat among books passing by,
Friends for every season
Lacking whom I’m barely alive.



The Lion


O lion, miserable image
Of kings lamentably chosen,
Now you’re only born in a cage
In Hamburg, among the Germans.


The Hare


Don’t be fearful and lascivious
Like the hare and the amorous.
But always let your brain weave
The full form that conceives.


The Rabbit


There’s another cony I remember
That I’d so like to take alive.
Its haunt is there among the thyme
In the valleys of the Land of Tender.


The Dromedary


With his four dromedaries
Don Pedro of Alfaroubeira
Travels the world and admires her.
He does what I would rather
If I’d those four dromedaries.


The Mouse


Sweet days, the mice of time,
You gnaw my life, moon by moon.
God! I’ve twenty eight years soon,
and badly spent ones I imagine.


The Elephant


I carry treasure in my mouth,
As an elephant his ivory.
At the price of flowing words,
Purple death!…I buy my glory.


Orpheus


Look at this pestilential tribe



Its thousand feet, its hundred eyes:
Beetles, insects, lice
And microbes more amazing
Than the world’s seventh wonder
And the palace of Rosamunde!


The Caterpillar


Work leads us to riches.
Poor poets, work on!
The caterpillar’s endless sigh
Becomes the lovely butterfly.


The Fly


The songs that our flies know
Were taught to them in Norway
By flies who are they say
Divinities of snow.


The Flea


Fleas, friends, lovers too,
How cruel are those who love us!
All our blood pours out for them.
The well-beloved are wretched then.


The Grasshopper


Here’s the slender grasshopper
The food that fed Saint John.
May my verse be similar,
A treat for the best of men.


Orpheus


His heart was the bait: the heavens were the pond!
For, fisherman, what fresh or seawater catch
equals him, either in form or savour,
that lovely divine fish, Jesus, My Saviour?


The Dolphin


Dolphins, playing in the sea
The wave is bitter gruel.
Does my joy sometimes erupt?
Yet life is still so cruel.



The Octopus
Hurling his ink at skies above,
Sucking the blood of what he loves
And finding it delicious,
Is myself the monster, vicious.


The Jellyfish


Medusas, miserable heads
With hairs of violet
You enjoy the hurricane
And I enjoy the very same.


The Lobster


Uncertainty, O my delights
You and I we go
As lobsters travel onwards, quite
Backwards, Backwards, O.


The Carp


In your pools, and in your ponds,
Carp, you indeed live long!
Is it that death forgets to free
You fishes of melancholy?


Orpheus


The female of the Halcyon,
Love, the seductive Sirens,
All know the fatal songs
Dangerous and inhuman.
Don’t listen to those cursed birds
But Paradisial Angels’ words.


The Sirens


Do I know where your ennui’s from, Sirens,
When you grieve so widely under the stars?
Sea, I am like you, filled with broken voices,
And my ships, singing, give a name to the years.


The Dove



Dove, both love and spirit
Who engendered Jesus Christ,
Like you I love a Mary.
And so with her I marry.


The Peacock


In spreading out his fan, this bird,
Whose plumage drags on earth, I fear,
Appears more lovely than before,
But makes his derrière appear.


The Owl


My poor heart’s an owl
One woos, un-woos, re-woos.
Of blood, of ardour, he’s the fowl.
I praise those who love me, too.


Ibis


Yes, I’ll pass fearful shadows
O certain death, let it be so!
Latin mortal dreadful word,
Ibis, Nile’s native bird.


The Ox


This cherubim sings the praises
Of Paradise where, with Angels,
We’ll live once more, dear friends,
When the good God intends.

Vitam Impendere Amori

Vitam Impendere Amori

(Vitam Impendere Amori: To Threaten Life for Love)

Love is dead within your arms
Do you remember his encounter
He’s dead you restore the charms
He returns at your encounter

Another spring of springs gone past
I think of all its tenderness
Farewell season done at last
You’ll return as tenderly

****

In the evening light that’s faded
Where our several loves brush by
Your memory lies enchained
Far from our shades that die

O hands bound by memory
Burning like a funeral pyre
Where the last black Phoenix
Perfection comes to respire

Link by link the chain wears thin
Deriding us your memory
Flies ah hear it you who rail
I kneel again at your feet

****

You’ve not surprised my secret yet
Already the cortège moves on
But left to us is the regret
of there being no connivance none

The rose floats at the water’s edge
The maskers have passed by in crowds
It trembles in me like a bell
This heavy secret you ask now

****

Evening falls and in the garden
Women tell their histories
to Night that not without disdain
spills their dark hair’s mysteries

Little children little children
Your wings have flown away
But you rose that defend yourself
Throw your unrivalled scents away


For now’s the hour of petty theft
Of plumes of flowers and of tresses
Gather the fountain jets so free
Of whom the roses are mistresses

****

You descended through the water clear
I drowned my self so in your glance
The soldier passes she leans down
Turns and breaks away a branch

You float on nocturnal waves
The flame is my own heart reversed
Coloured as that comb’s tortoiseshell
The wave that bathes you mirrors well

****
O my abandoned youth is dead
Like a garland faded
Here the season comes again
Of suspicion and disdain

The landscape’s formed of canvasses
A false stream of blood flows down
And under the tree the stars glow fresh
The only passer by’s a clown

The glass in the frame has cracked
An air defined uncertainly
Hovers between sound and thought
Between ‘to be’ and memory

O my abandoned youth is dead
Like a garland faded
Here the season comes again
Of suspicion and disdain

In the Sante

In the Sante

I

Before I got into my cell
I had to strip my body bare
I heard an ominous voice say Well
Guillaume what are you doing here

Lazarus steps into the ground
Not out of it as he was bid
Adieu Adieu O singing round
Of years and girls the life I led

II

I'm no longer myself in here
I know
I'm number fifteen in the eleventh
Row

The sunlight filters downward through
The panes
And on these lines bright clowns alight
Like stains

They dance under my eyes while my
Ears follow
The feet of one whose feet above
Sound hollow

III

In a bear-pit like a bear
Every morning round I tramp
Round and round and round and round
The sky is like an iron clamp
In a bear-pit like a bear
Every morning round I tramp

In the next cell at the sink
Someone lets the water run
With his bunch of keys that clink
Let the goaler go and come
In the next cell at the sink
Someone lets the water run

IV

How bored I am between bare wall and wall
Whose colour pales and pines


A fly on the paper with extremely small
Steps runs across these lines

What will become of me O God Who know
My pain Who gave it me
Have pity on my dry eyes and my pallor
My chair which creaks and is not free

And all these poor hearts beating in this prison
And Love beside me seated
Pity above all my unstable reason
And this despair which threatens to defeat it

V

How long these hours take to go
As long as a whole funeral

You'll mourn the time you mourned you know
It will be gone too soon like all
Time past

too fast too long ago

VI

I hear the noises of the city
In the turning world beyond me
I see a sky which has no pity
And bare prison walls around me

The daylight disappears and now
A lamp is lit within the prison
We're all alone here in my cell
Beautiful light Beloved reason
-

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