Pablo Neruda

Sonnet XCV:Who ever desired each other as we do

Who ever desired each other as we do? Let us look
for the ancient ashes of hearts that burned,
and let our kisses touch there, one by one,
till the flower, disembodied, rises again.


Let us love that Desire that consumed its own fruit
and went down, aspect and power, into the earth:
We are its continuing light,
its indestructible, fragile seed

Ode To Bird Watching

Now
Let's look for birds!
The tall iron branches
in the forest,
The dense
fertility on the ground.
The world
is wet.
A dewdrop or raindrop
shines,
a diminutive star
among the leaves.
The morning time
mother earth
is cool.
The air
is like a river
which shakes
the silence.
It smells of rosemary,
of space
and roots.
Overhead,
a crazy song.
It's a bird.
How
out of its throat
smaller than a finger
can there fall the waters
of its song?
Luminous ease!
Invisible
power
torrent
of music
in the leaves.
Sacred conversations!
Clean and fresh washed
is this
day resounding
like a green dulcimer.
I bury
my shoes
in the mud,
jump over rivulets.
A thorn
bites me and a gust
of air like a crystal
wave
splits up inside my chest.
Where
are the birds?


Maybe it was
that
rustling in the foliage
or that fleeting pellet
of brown velvet
or that displaced
perfume? That
leaf that let loose cinnamon smell

-was that a bird? That dust
from an irritated magnolia
or that fruit
which fell with a thump was
that a flight?
Oh, invisible little
critters
birds of the devil
with their ringing
with their useless feathers.
I only want
to caress them,
to see them resplendent.
I don't want
to see under glass
the embalmed lightning.
I want to see them living.
I want to touch their gloves
of real hide,
which they never forget in
the branches
and to converse with
them
sitting on my shoulders
although they may leave
me like certain statues
undeservedly whitewashed.
Impossible.
You can't touch them.
You can hear them
like a heavenly
rustle or movement.
They converse
with precision.
They repeat
their observations.
They brag
of how much they do.
They comment
on everything that exists.
They learn
certain sciences
like hydrography.
and by a sure science

they know
where there are harvests
of grain

Tell Me, Is The Rose Naked?

Tell me, is the rose naked
Or is that her only dress?


Why do trees conceal
The splendor of their roots?


Who hears the regrets
Of the thieving automobile?


Is there anything in the world sadder
Than a train standing in the rain?

Ode to My Socks

Mara Mori brought me
a pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.


Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad impulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Like explorers in the jungle
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.


The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter.

Sonnet LXXXI

And now you're mine. Rest with your dream in my dream.
Love and pain and work should all sleep, now.
The night turns on its invisible wheels,
and you are pure beside me as a sleeping amber.


No one else, Love, will sleep in my dreams. You will go,
we will go together, over the waters of time.
No one else will travel through the shadows with me,
only you, evergreen, ever sun, ever moon.


Your hands have already opened their delicate fists
and let their soft drifting signs drop away; your eyes closed like two gray
wings, and I move


after, following the folding water you carry, that carries
me away. The night, the world, the wind spin out their destiny.
Without you, I am your dream, only that, and that is all.

‘Carnal apple, Woman filled, burning moon,’

Carnal apple, Woman filled, burning moon,
dark smell of seaweed, crush of mud and light,
what secret knowledge is clasped between your pillars?
What primal night does Man touch with his senses?
Ay, Love is a journey through waters and stars,
through suffocating air, sharp tempests of grain:
Love is a war of lightning,
and two bodies ruined by a single sweetness.
Kiss by kiss I cover your tiny infinity,
your margins, your rivers, your diminutive villages,
and a genital fire, transformed by delight,
slips through the narrow channels of blood
to precipitate a nocturnal carnation,
to be, and be nothing but light in the dark.

The Dictators

An odor has remained among the sugarcane:
a mixture of blood and body, a penetrating
petal that brings nausea.
Between the coconut palms the graves are full
of ruined bones, of speechless death-rattles.
The delicate dictator is talking
with top hats, gold braid, and collars.
The tiny palace gleams like a watch
and the rapid laughs with gloves on
cross the corridors at times
and join the dead voices
and the blue mouths freshly buried.
The weeping cannot be seen, like a plant
whose seeds fall endlessly on the earth,
whose large blind leaves grow even without light.
Hatred has grown scale on scale,
blow on blow, in the ghastly water of the swamp,
with a snout full of ooze and silence

From – Twenty Poems of Love

I can write the saddest lines tonight.

Write for example: ‘The night is fractured
and they shiver, blue, those stars, in the distance’


The night wind turns in the sky and sings.
I can write the saddest lines tonight.
I loved her, sometimes she loved me too.


On nights like these I held her in my arms.
I kissed her greatly under the infinite sky.


She loved me, sometimes I loved her too.
How could I not have loved her huge, still eyes.


I can write the saddest lines tonight.
To think I don’t have her, to feel I have lost her.


Hear the vast night, vaster without her.
Lines fall on the soul like dew on the grass.


What does it matter that I couldn’t keep her.
The night is fractured and she is not with me.


That is all. Someone sings far off. Far off,
my soul is not content to have lost her.


As though to reach her, my sight looks for her.
My heart looks for her: she is not with me


The same night whitens, in the same branches.
We, from that time, we are not the same.


I don’t love her, that’s certain, but how I loved her.
My voice tried to find the breeze to reach her.


Another’s kisses on her, like my kisses.
Her voice, her bright body, infinite eyes.


I don’t love her, that’s certain, but perhaps I love her.
Love is brief: forgetting lasts so long.


Since, on these nights, I held her in my arms,
my soul is not content to have lost her.


Though this is the last pain she will make me suffer,
and these are the last lines I will write for her.

Canto XII from The Heights of Macchu Picchu

Arise to birth with me, my brother.
Give me your hand out of the depths
sown by your sorrows.
You will not return from these stone fastnesses.
You will not emerge from subterranean time.
Your rasping voice will not come back,
nor your pierced eyes rise from their sockets.


Look at me from the depths of the earth,
tiller of fields, weaver, reticent shepherd,
groom of totemic guanacos,
mason high on your treacherous scaffolding,
iceman of Andean tears,
jeweler with crushed fingers,
farmer anxious among his seedlings,
potter wasted among his clays-bring
to the cup of this new life
your ancient buried sorrows.
Show me your blood and your furrow;
say to me: here I was scourged
because a gem was dull or because the earth
failed to give up in time its tithe of corn or stone.
Point out to me the rock on which you stumbled,
the wood they used to crucify your body.
Strike the old flints
to kindle ancient lamps, light up the whips
glued to your wounds throughout the centuries
and light the axes gleaming with your blood.


I come to speak for your dead mouths.


Throughout the earth
let dead lips congregate,
out of the depths spin this long night to me
as if I rode at anchor here with you.


And tell me everything, tell chain by chain,
and link by link, and step by step;
sharpen the knives you kept hidden away,
thrust them into my breast, into my hands,
like a torrent of sunbursts,
an Amazon of buried jaguars,
and leave me cry: hours, days and years,
blind ages, stellar centuries.


And give me silence, give me water, hope.


Give me the struggle, the iron, the volcanoes.


Let bodies cling like magnets to my body.


Come quickly to my veins and to my mouth.



Speak through my speech, and through my blood.

The Weary One

The weary one, orphan
of the masses, the self,
the crushed one, the one made of concrete,
the one without a country in crowded restaurants,
he who wanted to go far away, always farther away,
didn't know what to do there, whether he wanted
or didn't want to leave or remain on the island,
the hesitant one, the hybrid, entangled in himself,
had no place here: the straight-angled stone,
the infinite look of the granite prism,
the circular solitude all banished him:
he went somewhere else with his sorrows,
he returned to the agony of his native land,
to his indecisions, of winter and summer.