Pablo Neruda

Tonight I Can Write

Tonight I can write the saddest lines.

Write, for example, 'The night is starry
and the stars are blue and shiver in the distance.'
The night wind revolves in the sky and sings.
Tonight I can write the saddest lines.


I loved her, and sometimes she loved me too.


Through nights like this one I held her in my arms.
I kissed her again and again under the endless sky.
She loved me, sometimes I loved her too.


How could one not have loved her great still eyes.


Tonight I can write the saddest lines.
To think that I do not have her. To feel that I have lost her.
To hear the immense night, still more immense without her.


And the verse falls to the soul like dew to the pasture.


What does it matter that my love could not keep her.
The night is starry and she is not with me.
This is all. In the distance someone is singing. In the distance.


My soul is not satisfied that it has lost her.


My sight tries to find her as though to bring her closer.
My heart looks for her, and she is not with me.
The same night whitening the same trees.


We, of that time, are no longer the same.


I no longer love her, that's certain, but how I loved her.
My voice tried to find the wind to touch her hearing.
Another's. She will be another's. As she was before my kisses.


Her voice, her bright body. Her infinite eyes.


I no longer love her, that's certain, but maybe I love her.
Love is so short, forgetting is so long.
Because through nights like this one I held her in my arms


my soul is not satisfied that it has lost her.
Though this be the last pain that she makes me suffer
and these the last verses that I write for her.


translated by W.S. Merwin

The Light Wraps You

The light wraps you in its mortal flame.
Abstracted pale mourner, standing that way
against the old propellers of the twighlight
that revolves around you.


Speechless, my friend,
alone in the loneliness of this hour of the dead
and filled with the lives of fire,
pure heir of the ruined day.


A bough of fruit falls from the sun on your dark garment.
The great roots of night
grow suddenly from your soul,
and the things that hide in you come out again
so that a blue and palled people
your newly born, takes nourishment.


Oh magnificent and fecund and magnetic slave
of the circle that moves in turn through black and gold:
rise, lead and possess a creation
so rich in life that its flowers perish
and it is full of sadness.

Cat's Dream

How neatly a cat sleeps,
sleeps with its paws and its posture,
sleeps with its wicked claws,
and with its unfeeling blood,
sleeps with all the rings-a
series of burnt circles-which
have formed the odd geology
of its sand-colored tail.


I should like to sleep like a cat,
with all the fur of time,
with a tongue rough as flint,
with the dry sex of fire;
and after speaking to no one,
stretch myself over the world,
over roofs and landscapes,
with a passionate desire
to hunt the rats in my dreams.


I have seen how the cat asleep
would undulate, how the night
flowed through it like dark water;
and at times, it was going to fall
or possibly plunge into
the bare deserted snowdrifts.
Sometimes it grew so much in sleep
like a tiger's great-grandfather,
and would leap in the darkness over
rooftops, clouds and volcanoes.


Sleep, sleep cat of the night,
with episcopal ceremony
and your stone-carved moustache.
Take care of all our dreams;
control the obscurity
of our slumbering prowess
with your relentless heart
and the great ruff of your tail.


Translated by Alastair Reid


Submitted by Jen

Tower Of Light

O tower of light, sad beauty
that magnified necklaces and statues in the sea,
calcareous eye, insignia of the vast waters, cry
of the mourning petrel, tooth of the sea, wife
of the Oceanian wind, O separate rose
from the long stem of the trampled bush
that the depths, converted into archipelago,
O natural star, green diadem,
alone in your lonesome dynasty,
still unattainable, elusive, desolate
like one drop, like one grape, like the sea.

Waltz


I touch hatred like a covered breast;
I without stopping go from garment to garment,
sleeping at a distance.


I am not, I'm of no use, I do not know
anyone; I have no weapons of ocean or wood,
I do not live in this house.


My mouth is full of night and water.
The abiding moon determines
what I do not have.


What I have is in the midst of the waves,
a ray of water, a day for myself,
an iron depth.


There is no cross-tide, there is no shield, no costume,
there is no special solution too deep to be sounded,
no vicious eyelid.


I live suddenly and other times I follow.
I touch a face suddenly and it murders me.
I have no time.


Do not look for me when drawing
the usual wild thread or the
bleeding net.


Do not call me: that is my occupation.
Do not ask my name or my condition.
Leave me in the middle of my own moon
in my wounded ground.

Sonnet LXVI: I Do Not Love You Except Because I Love You

I do not love you except because I love you;
I go from loving to not loving you,
From waiting to not waiting for you
My heart moves from cold to fire.


I love you only because it's you the one I love;
I hate you deeply, and hating you
Bend to you, and the measure of my changing love for you
Is that I do not see you but love you blindly.


Maybe January light will consume
My heart with its cruel
Ray, stealing my key to true calm.


In this part of the story I am the one who
Dies, the only one, and I will die of love because I love you,
Because I love you, Love, in fire and blood.

Ode to Clothes

Every morning you wait,
clothes, over a chair,
to fill yourself with
my vanity, my love,
my hope, my body.
Barely
risen from sleep,
I relinquish the water,
enter your sleeves,
my legs look for
the hollows of your legs,
and so embraced
by your indefatigable faithfulness
I rise, to tread the grass,
enter poetry,
consider through the windows,
the things,
the men, the women,
the deeds and the fights
go on forming me,
go on making me face things
working my hands,
opening my eyes,
using my mouth,
and so,
clothes,
I too go forming you,
extending your elbows,
snapping your threads,
and so your life expands
in the image of my life.
In the wind
you billow and snap
as if you were my soul,
at bad times
you cling
to my bones,
vacant, for the night,
darkness, sleep
populate with their phantoms
your wings and mine.
I wonder
if one day
a bullet
from the enemy
will leave you stained with my blood
and then
you will die with me
or one day
not quite
so dramatic
but simple,



you will fall ill,
clothes,
with me,
grow old
with me, with my body
and joined
we will enter
the earth.
Because of this
each day
I greet you
with reverence and then
you embrace me and I forget you,
because we are one
and we will go on
facing the wind, in the night,
the streets or the fight,
a single body,
one day, one day, some day, still.

Ode To Bird Watching

Now
Let's look for birds!
The tall iron branches
in the forest,
The dense
fertility on the ground.
The world
is wet.
A dewdrop or raindrop
shines,
a diminutive star
among the leaves.
The morning time
mother earth
is cool.
The air
is like a river
which shakes
the silence.
It smells of rosemary,
of space
and roots.
Overhead,
a crazy song.
It's a bird.
How
out of its throat
smaller than a finger
can there fall the waters
of its song?
Luminous ease!
Invisible
power
torrent
of music
in the leaves.
Sacred conversations!
Clean and fresh washed
is this
day resounding
like a green dulcimer.
I bury
my shoes
in the mud,
jump over rivulets.
A thorn
bites me and a gust
of air like a crystal
wave
splits up inside my chest.
Where
are the birds?


Maybe it was
that
rustling in the foliage
or that fleeting pellet
of brown velvet
or that displaced
perfume? That
leaf that let loose cinnamon smell

-was that a bird? That dust
from an irritated magnolia
or that fruit
which fell with a thump was
that a flight?
Oh, invisible little
critters
birds of the devil
with their ringing
with their useless feathers.
I only want
to caress them,
to see them resplendent.
I don't want
to see under glass
the embalmed lightning.
I want to see them living.
I want to touch their gloves
of real hide,
which they never forget in
the branches
and to converse with
them
sitting on my shoulders
although they may leave
me like certain statues
undeservedly whitewashed.
Impossible.
You can't touch them.
You can hear them
like a heavenly
rustle or movement.
They converse
with precision.
They repeat
their observations.
They brag
of how much they do.
They comment
on everything that exists.
They learn
certain sciences
like hydrography.
and by a sure science

they know
where there are harvests
of grain

Ode to a Large Tuna in the Market

Among the market greens,
a bullet
from the ocean
depths,
a swimming
projectile,
I saw you,
dead.


All around you
were lettuces,
sea foam
of the earth,
carrots,
grapes,
but
of the ocean
truth,
of the unknown,
of the
unfathomable
shadow, the
depths
of the sea,
the abyss,
only you had survived,
a pitch-black, varnished
witness
to deepest night.


Only you, well-aimed
dark bullet
from the abyss,
mangled
at one tip,
but constantly
reborn,
at anchor in the current,
winged fins
windmilling
in the swift
flight
of
the
marine
shadow,
a mourning arrow,
dart of the sea,
olive, oily fish.
I saw you dead,
a deceased king
of my own ocean,



green
assault, silver
submarine fir,
seed
of seaquakes,
now
only dead remains,
yet
in all the market
yours
was the only
purposeful form
amid
the bewildering rout
of nature;
amid the fragile greens
you were
a solitary ship,
armed
among the vegetables
fin and prow black and oiled,
as if you were still
the vessel of the wind,
the one and only
pure
ocean
machine:
unflawed, navigating
the waters of death.

Poor Creatures

What it takes on this planet,
to make love to each other in peace.
Everyone pries under your sheets,
everyone interferes with your loving.
They say terrible things about a man and a woman,
who after much milling about,
all sorts of compunctions,
do something unique,
they both lie with each other in one bed.
I ask myself whether frogs are so furtive,
or sneeze as they please.
Whether they whisper to each other in swamps about illegitimate frogs,
or the joys of amphibious living.
I ask myself if birds single out enemy birds,
or bulls gossip with bullocks before they go out in public with cows.
Even the roads have eyes and the parks their police.
Hotels spy on their guests,
windows name names,
canons and squadrons debark on missions to liquidate love.
All those ears and those jaws working incessantly,
till a man and his girl
have to raise their climax,
full tilt,
on a bicycle.