William Wordsworth

William Wordsworth

1770–1850 · lived 80 years GB GB

William Wordsworth was a pivotal English poet who, along with Samuel Taylor Coleridge, helped launch the Romantic Age in English literature. His poetry is deeply rooted in the natural world, often exploring themes of memory, imagination, and the spiritual connection between humanity and nature. He is celebrated for his lyrical intensity, his profound empathy, and his ability to find extraordinary beauty and meaning in the ordinary experiences of life.

n. 1770-04-07, Cockermouth · m. 1850-04-23, Rydal Mount

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Written With a Pencil Upon a Stone In The Wall of The House, On The Island

Written With a Pencil Upon a Stone In The Wall of The House, On The Island
at Grasmere
Rude is this Edifice, and Thou hast seen
Buildings, albeit rude, that have maintained
Proportions more harmonious, and approached
To closer fellowship with ideal grace.
But take it in good part:--alas! the poor
Vitruvius of our village had no help
From the great City; never, upon leaves
Of red Morocco folio, saw displayed,
In long succession, pre-existing ghosts
Of Beauties yet unborn--the rustic Lodge
Antique, and Cottage with verandah graced,
Nor lacking, for fit company, alcove,
Green-house, shell-grot, and moss-lined hermitage.
Thou see'st a homely Pile, yet to these walls
The heifer comes in the snow-storm, and here
The new-dropped lamb finds shelter from the wind.
And hither does one Poet sometimes row
His pinnace, a small vagrant barge, up-piled
With plenteous store of heath and withered fern,
(A lading which he with his sickle cuts,
Among the mountains) and beneath this roof
He makes his summer couch, and here at noon
Spreads out his limbs, while, yet unshorn, the Sheep,
Panting beneath the burthen of their wool,
Lie round him, even as if they were a part
Of his own Household: nor, while from his bed
He looks, through the open door-place, toward the lake
And to the stirring breezes, does he want
Creations lovely as the work of sleep--
Fair sights, and visions of romantic joy!
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Bio

Identification and basic context

William Wordsworth was an English poet who was a key figure in the Romantic movement. He was born in Cockermouth, Cumberland, England. He wrote primarily in English.

Childhood and education

Wordsworth's childhood was marked by the beauty of the Lake District, which profoundly influenced his later poetry. He received a formal education at Hawkshead Grammar School and later attended St John's College, Cambridge. His early exposure to nature and his rigorous education laid the foundation for his literary career.

Literary trajectory

Wordsworth's literary career began with early poems and collaborative works. His collaboration with Samuel Taylor Coleridge on "Lyrical Ballads" (1798) is considered a landmark event, ushering in the Romantic era. He continued to write prolifically throughout his life, publishing major works such as "The Prelude," an autobiographical epic poem.

Works, style, and literary characteristics

Major works include "Lyrical Ballads" (1798), "The Prelude" (completed 1805, published 1850), "Ode: Intimations of Immortality" (1807), and "The Excursion" (1814). His poetry explores themes of nature, memory, childhood, the human mind, and the sublime. Wordsworth's style is characterized by its focus on the language of ordinary people, his deep emotional response to nature, and his philosophical musings. He often used blank verse and lyrical forms, emphasizing sincerity and spontaneity. His innovations included elevating the commonplace and everyday to the level of high art, and exploring the psychological impact of nature.

Cultural and historical context

Wordsworth lived during a period of significant social and political upheaval in Europe, including the French Revolution and the Napoleonic Wars. He was part of the generation of poets that included Coleridge, Byron, Shelley, and Keats. His work often reflected a tension between the revolutionary ideals of his youth and the more conservative political climate that followed.

Personal life

Wordsworth experienced personal tragedies, including the death of his father and the loss of his wife, Mary Hutchinson. His deep love for his sister, Dorothy Wordsworth, is evident in his correspondence and poetry. He lived a relatively secluded life, deeply connected to the landscape of the Lake District, but he also engaged in intellectual and political discussions.

Recognition and reception

While initially met with mixed reviews, Wordsworth's reputation grew steadily throughout his life and posthumously. He was appointed Poet Laureate in 1843. His work came to be recognized for its profound insight into human nature and its celebration of the natural world.

Influences and legacy

Wordsworth was influenced by the poets of the English Renaissance and by the philosophical ideas of his time. He, in turn, profoundly influenced subsequent generations of poets, shaping the trajectory of English Romanticism and beyond. His emphasis on nature and the individual's experience of it remains a powerful legacy.

Interpretation and critical analysis

Wordsworth's poetry is often interpreted through the lens of his Pantheistic leanings, his theories of poetic diction, and his exploration of the development of the poet's mind. Critics have analyzed his complex relationship with memory and imagination, and his philosophical engagement with the ideas of Rousseau and Kant.

Curiosities and lesser-known aspects

Wordsworth was known for his methodical and often solitary habits of composition. He would often pace extensively while composing, sometimes accompanied by his sister Dorothy. He had a strong sense of his own poetic mission and was deeply committed to his principles.

Death and memory

Wordsworth died at Rydal Mount, Ambleside, in 1850. His final great work, "The Prelude," was published posthumously and is now considered his masterpiece. He is buried in Grasmere churchyard.

Poems

114

Oak and The Broom, The: A Pastoral Poem

Oak and The Broom, The: A Pastoral Poem
I
His simple truths did Andrew glean
Beside the babbling rills;
A careful student he had been
Among the woods and hills.
One winter's night, when through the trees
The wind was roaring, on his knees
His youngest born did Andrew hold:
And while the rest, a ruddy quire,
Were seated round their blazing fire,
This Tale the Shepherd told.
II
"I saw a crag, a lofty stone
As ever tempest beat!
Out of its head an Oak had grown,
A Broom out of its feet.
The time was March, a cheerful noon--
The thaw-wind, with the breath of June,
Breathed gently from the warm south-west:
When, in a voice sedate with age,
This Oak, a giant and a sage,
His neighbour thus addressed:--
III
"'Eight weary weeks, through rock and clay,
Along this mountain's edge,
The Frost hath wrought both night and day,
Wedge driving after wedge.
Look up! and think, above your head
What trouble, surely, will be bred;
Last night I heard a crash--'tis true,
The splinters took another road--
I see them yonder--what a load
For such a Thing as you!
IV
"'You are preparing as before,
To deck your slender shape;
And yet, just three years back--no more--
You had a strange escape:
Down from yon cliff a fragment broke;
It thundered down, with fire and smoke,
And hitherward pursued its way;
This ponderous block was caught by me,
And o'er your head, as you may see,
'Tis hanging to this day!


V
"'If breeze or bird to this rough steep
Your kind's first seed did bear;
The breeze had better been asleep,
The bird caught in a snare:
For you and your green twigs decoy
The little witless shepherd-boy
To come and slumber in your bower;
And, trust me, on some sultry noon,
Both you and he, Heaven knows how soon!
Will perish in one hour.
VI
"'From me this friendly warning take'--
The Broom began to doze,
And thus, to keep herself awake,
Did gently interpose:
'My thanks for your discourse are due;
That more than what you say is true,
I know, and I have known it long;
Frail is the bond by which we hold
Our being, whether young or old,
Wise, foolish, weak, or strong.
VII
"'Disasters, do the best we can,
Will reach both great and small;
And he is oft the wisest man,
Who is not wise at all.
For me, why should I wish to roam?
This spot is my paternal home,
It is my pleasant heritage;
My father many a happy year,
Spread here his careless blossoms, here
Attained a good old age.
VIII
"'Even such as his may be my lot.
What cause have I to haunt
My heart with terrors? Am I not
In truth a favoured plant!
On me such bounty Summer pours,
That I am covered o'er with flowers;
And, when the Frost is in the sky,
My branches are so fresh and gay
That you might look at me and say,
This Plant can never die.


IX
"'The butterfly, all green and gold,
To me hath often flown,
Here in my blossoms to behold
Wings lovely as his own.
When grass is chill with rain or dew,
Beneath my shade, the mother-ewe
Lies with her infant lamb; I see
The love they to each other make,
And the sweet joy which they partake,
It is a joy to me.'
X
"Her voice was blithe, her heart was light;
The Broom might have pursued
Her speech, until the stars of night
Their journey had renewed;
But in the branches of the oak
Two ravens now began to croak
Their nuptial song, a gladsome air;
And to her own green bower the breeze
That instant brought two stripling bees
To rest, or murmur there.
XI
"One night, my Children! from the north
There came a furious blast;
At break of day I ventured forth,
And near the cliff I passed.
The storm had fallen upon the Oak,
And struck him with a mighty stroke,
And whirled, and whirled him far away;
And, in one hospitable cleft,
The little careless Broom was left
To live for many a day."
226

Ode Composed On A May Morning

Ode Composed On A May Morning
WHILE from the purpling east departs
The star that led the dawn,
Blithe Flora from her couch upstarts,
For May is on the lawn.
A quickening hope, a freshening glee,
Foreran the expected Power,
Whose first-drawn breath, from bush and tree,
Shakes off that pearly shower.
All Nature welcomes Her whose sway
Tempers the year's extremes;
Who scattereth lustres o'er noon-day,
Like morning's dewy gleams;
While mellow warble, sprightly trill,
The tremulous heart excite;
And hums the balmy air to still
The balance of delight.
Time was, blest Power! when youth and maids
At peep of dawn would rise,
And wander forth, in forest glades
Thy birth to solemnize.
Though mute the song---to grace the rite
Untouched the hawthorn bough,
Thy Spirit triumphs o'er the slight;
Man changes, but not Thou!
Thy feathered Lieges bill and wings
In love's disport employ;
Warmed by thy influence, creeping things
Awake to silent joy:
Queen art thou still for each gay plant
Where the slim wild deer roves;
And served in depths where fishes haunt
Their own mysterious groves.
Cloud-piercing peak, and trackless heath,
Instinctive homage pay;
Nor wants the dim-lit cave a wreath
To honor thee, sweet May!
Where cities fanned by thy brisk airs
Behold a smokeless sky,
Their puniest flower-pot-nursling dares
To open a bright eye.
And if, on this thy natal morn,
The pole, from which thy name
Hath not departed, stands forlorn
Of song and dance and game;
Still from the village-green a vow
Aspires to thee addrest,
Wherever peace is on the brow,


Or love within the breast.
Yes! where Love nestles thou canst teach
The soul to love the more;
Hearts also shall thy lessons reach
That never loved before.
Stript is the haughty one of pride,
The bashful freed from fear,
While rising, like the ocean-tide,
In flow the joyous year.
Hush, feeble lyre! weak words refuse
The service to prolong!
To yon exulting thrush the Muse
Entrusts the imperfect song;
His voice shall chant, in accents clear,
Throughout the live-long day,
Till the first silver star appear,
The sovereignty of May.
327

Nutting

Nutting
---------------------It seems a day
(I speak of one from many singled out)
One of those heavenly days that cannot die;
When, in the eagerness of boyish hope,
I left our cottage-threshold, sallying forth
With a huge wallet o'er my shoulders slung,
A nutting-crook in hand; and turned my steps
Tow'rd some far-distant wood, a Figure quaint,
Tricked out in proud disguise of cast-off weeds
Which for that service had been husbanded,
By exhortation of my frugal Dame--
Motley accoutrement, of power to smile
At thorns, and brakes, and brambles,--and, in truth,
More ragged than need was! O'er pathless rocks,
Through beds of matted fern, and tangled thickets,
Forcing my way, I came to one dear nook
Unvisited, where not a broken bough
Drooped with its withered leaves, ungracious sign
Of devastation; but the hazels rose
Tall and erect, with tempting clusters hung,
A virgin scene!--A little while I stood,
Breathing with such suppression of the heart
As joy delights in; and, with wise restraint
Voluptuous, fearless of a rival, eyed
The banquet;--or beneath the trees I sate
Among the flowers, and with the flowers I played;
A temper known to those, who, after long
And weary expectation, have been blest
With sudden happiness beyond all hope.
Perhaps it was a bower beneath whose leaves
The violets of five seasons re-appear
And fade, unseen by any human eye;
Where fairy water-breaks do murmur on
For ever; and I saw the sparkling foam,
And--with my cheek on one of those green stones
That, fleeced with moss, under the shady trees,
Lay round me, scattered like a flock of sheep--
I heard the murmur and the murmuring sound,
In that sweet mood when pleasure loves to pay
Tribute to ease; and, of its joy secure,
The heart luxuriates with indifferent things,
Wasting its kindliness on stocks and stones,
And on the vacant air. Then up I rose,
And dragged to earth both branch and bough, with crash
And merciless ravage: and the shady nook
Of hazels, and the green and mossy bower,
Deformed and sullied, patiently gave up
Their quiet being: and, unless I now
Confound my present feelings with the past;
Ere from the mutilated bower I turned
Exulting, rich beyond the wealth of kings,
I felt a sense of pain when I beheld


The silent trees, and saw the intruding sky--
Then, dearest Maiden, move along these shades
In gentleness of heart; with gentle hand
Touch--for there is a spirit in the woods.
506

November,

November,
. Another year!--another deadly blow!
Another mighty Empire overthrown!
And We are left, or shall be left, alone;
The last that dare to struggle with the Foe.
'Tis well! from this day forward we shall know
That in ourselves our safety must be sought;
That by our own right hands it must be wrought;
That we must stand unpropped, or be laid low.
O dastard whom such foretaste doth not cheer!
We shall exult, if they who rule the land
Be men who hold its many blessings dear,
Wise, upright, valiant; not a servile band,
Who are to judge of danger which they fear,
And honour which they do not understand.
222

Mutability

Mutability
FROM low to high doth dissolution climb,
And sink from high to low, along a scale
Of awful notes, whose concord shall not fail;
A musical but melancholy chime,
Which they can hear who meddle not with crime,
Nor avarice, nor over-anxious care.
Truth fails not; but her outward forms that bear
The longest date do melt like frosty rime,
That in the morning whiten'd hill and plain
And is no more; drop like the tower sublime
Of yesterday, which royally did wear
His crown of weeds, but could not even sustain
Some casual shout that broke the silent air,
Or the unimaginable touch of Time.
226

Most Sweet it is

Most Sweet it is
. Most sweet it is with unuplifted eyes
To pace the ground, if path be there or none,
While a fair region round the traveller lies
Which he forbears again to look upon;
Pleased rather with some soft ideal scene,
The work of Fancy, or some happy tone
Of meditation, slipping in between
The beauty coming and the beauty gone.
If Thought and Love desert us, from that day
Let us break off all commerce with the Muse:
With Thought and Love companions of our way,
Whate'er the senses take or may refuse,
The Mind's internal heaven shall shed her dews
Of inspiration on the humblest lay.
248

Memory

Memory
A pen--to register; a key--
That winds through secret wards
Are well assigned to Memory
By allegoric Bards.
As aptly, also, might be given
A Pencil to her hand;
That, softening objects, sometimes even
Outstrips the heart's demand;
That smooths foregone distress, the lines
Of lingering care subdues,
Long-vanished happiness refines,
And clothes in brighter hues;
Yet, like a tool of Fancy, works
Those Spectres to dilate
That startle Conscience, as she lurks
Within her lonely seat.
Oh! that our lives, which flee so fast,
In purity were such,
That not an image of the past
Should fear that pencil's touch!
Retirement then might hourly look
Upon a soothing scene,
Age steal to his allotted nook
Contented and serene;
With heart as calm as lakes that sleep,
In frosty moonlight glistening;
Or mountain rivers, where they creep
Along a channel smooth and deep,
To their own far-off murmurs listening.
273

Lucy iv

Lucy iv
THREE years she grew in sun and shower;
Then Nature said, 'A lovelier flower
On earth was never sown;
This child I to myself will take;
She shall be mine, and I will make
A lady of my own.
"Myself will to my darling be
Both law and impulse: and with me
The girl, in rock and plain,
In earth and heaven, in glade and bower,
Shall feel an overseeing power
To kindle or restrain.
'She shall be sportive as the fawn
That wild with glee across the lawn
Or up the mountain springs;
And hers shall be the breathing balm,
And hers the silence and the calm
Of mute insensate things.
'The floating clouds their state shall lend
To her; for her the willow bend;
Nor shall she fail to see
Even in the motions of the storm
Grace that shall mould the maiden's form
By silent sympathy.
'The stars of midnight shall be dear
To her; and she shall lean her ear
In many a secret place
Where rivulets dance their wayward round,
And beauty born of murmuring sound
Shall pass into her face.
'And vital feelings of delight
Shall rear her form to stately height,
Her virgin bosom swell;
Such thoughts to Lucy I will give
While she and I together live
Here in this happy dell.'
Thus Nature spake--The work was done--
How soon my Lucy's race was run!
She died, and left to me
This heath, this calm, and quiet scene;
The memory of what has been,
And never more will be.
218

Lucy Gray

Lucy Gray
Oft I had heard of Lucy Gray:
And, when I crossed the wild,
I chanced to see at break of day
The solitary child.
No mate, no comrade Lucy knew;
She dwelt on a wide moor,
--The sweetest thing that ever grew
Beside a human door!
You yet may spy the fawn at play,
The hare upon the green;
But the sweet face of Lucy Gray
Will never more be seen.
"To-night will be a stormy night--
You to the town must go;
And take a lantern, Child, to light
Your mother through the snow."
"That, Father! will I gladly do:
'Tis scarcely afternoon--
The minster-clock has just struck two,
And yonder is the moon!"
At this the Father raised his hook,
And snapped a faggot-band;
He plied his work;--and Lucy took
The lantern in her hand.
Not blither is the mountain roe:
With many a wanton stroke
Her feet disperse the powdery snow,
That rises up like smoke.
The storm came on before its time:
She wandered up and down;
And many a hill did Lucy climb:
But never reached the town.
The wretched parents all that night
Went shouting far and wide;
But there was neither sound nor sight
To serve them for a guide.
At day-break on a hill they stood
That overlooked the moor;
And thence they saw the bridge of wood,
A furlong from their door.
They wept--and, turning homeward, cried,
"In heaven we all shall meet;"


--When in the snow the mother spied
The print of Lucy's feet.
Then downwards from the steep hill's edge
They tracked the footmarks small;
And through the broken hawthorn hedge,
And by the long stone-wall;
And then an open field they crossed:
The marks were still the same;
They tracked them on, nor ever lost;
And to the bridge they came.
They followed from the snowy bank
Those footmarks, one by one,
Into the middle of the plank;
And further there were none!
--Yet some maintain that to this day
She is a living child;
That you may see sweet Lucy Gray
Upon the lonesome wild.
O'er rough and smooth she trips along,
And never looks behind;
And sings a solitary song
That whistles in the wind.
332

Lucy ii

Lucy ii
SHE dwelt among the untrodden ways
Beside the springs of Dove,
A Maid whom there were none to praise
And very few to love:
A violet by a mossy stone
Half hidden from the eye!
Fair as a star, when only one
Is shining in the sky.
She lived unknown, and few could know
When Lucy ceased to be;
But she is in her grave, and oh,
The difference to me!
137

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